Peysufatapeysa

“Like so many other Icelanders, I learned to knit in elementary school at the age of ten. I didn’t much like the classes, however, because we had to knit and sew certain garments from patterns. It wasn’t my teacher’s fault though; that’s just how the curriculum was back then. When I was 15 years old I took knitting and sewing lessons in high school where I got to make my own patterns, and from that moment on, I was hooked on knitting. As soon as I begin knitting a garment, I’m already designing the next one in my mind, but I’ve never enjoyed knitting from other people’s patterns. I finished a degree in textile arts teaching in 1975 from Myndlistar- og handíðaskóli Íslands (The Icelandic School of Arts and Crafts). After graduating, I spent some time filling orders for woven mats of my own design, but the work was time-consuming and not very lucrative. I enrolled on a knitting techniques course, and, not surprisingly since I’ve always been very interested in clothes and fashion, was soon designing handknit garments. My art training has been very useful to me in my design work from the very start.

My first original patterns were published in Vikan, a weekly magazine in the early 1980s. Soon afterwards, the editor of Lopi and band (Lopi and yarn), an Icelandic knitting magazine established in 1981, contacted me, requesting some of my designs for the magazine. Over the next few years, I designed many garments for the magazine, and was really working at my dream job. I would sketch my designs and knit swatches, my designs were then knit by professional knitters and the magazine’s staff wrote up the pattern. This blissful state of affairs lasted until 1991, when the editor resigned and the magazine was sold into new hands.

After that, the integrity of Lopi og band went downhill in my opinion, so much so that in 1994 I met with the new owner and offered him the use of my designs free of charge in an effort to restore the magazine to its former glory. In return, he offered me the job of editor, which I accepted.

I worked as the magazine’s editor for the next three years, overseeing the release of 15 issues, until the new owner died in 1997. Since publishing a knitting magazine is only cost effective for those that import and distribute yarn, no one was willing to continue publishing the magazine, and so it came to an end. Through the years, more than 200 of my patterns, most of them written with Icelandic wool in mind, have been published in magazines or books.

Around the year 2000, I became very interested in the old Icelandic national costumes and subsequently sewed four different types of costume. My interest grew to such an extent that I enrolled on a B.A.-degree course with a major in folkloristics and a minor in archeology at the University of Iceland, from which I graduated in 2005.Since then I’ve, for example, made replicas of embroidered 18th-century church artifacts, sewn sails for 19th-century boats and continued designing knitwear.

The idea for this costume sweater came from the 18th-century version of the Icelandic peysufatapeysa, which in my mind is the truest version of the national costume.

Sizes: XS(S,M,L,1X,2X) to fit bust 75(85,95,108,118,128)cm / 29.5(33.5,37.5,42.5,46.5,50.5)”.

Gauge: 10 x 10 cm / 4” x 4” = 12 sts and 17 rows in stocking st on 6 mm needles with triple Plötulopi

Yarn:
Plötulopi, 100% pure Icelandic wool, 110g to a disc, 100g = ca. 300m/328.8 yds, held triple: 200(300,300,400,400,500,500)g (body and sleeves). A plate is about 100-110gr
Álafoss Lopi, 100% pure Icelandic wool, 100g/skein, 100g = ca. 100m/109.36 yds: 2(2,2,3,3,3) skeins (ribbing and edgings).

Black sweater: shade 0059 for both Plötulopi and Álafoss Lopi
Brownish sweater: Plötulopi, shade 0059, 9102 and 0009 held together and Álafoss Lopi shade 0059.
Purple sweater: Plötulopi, shade 1428; Álafoss Lopi, shade 0163.

Needles and notions: 6 mm/US 10 circ and dpn’s needles; 5(5,5,6,6,6) pairs of black hooks and eyes, markers, measuring tape, darning needle.

Techniques: knitting in the round, steek (optional).

Pattern: once you’ve your payment, you will receive an email with a link to download the pattern PDF. We don’t send patterns by snail mail.

Errata: a mistake was found in this pattern, please see the errata. Patterns purchased after 2011 are free of mistakes.